The short:
Been following this tutorial for starting a game:
Unreal Engine 5 RPG Tutorial Series - #6: Damage and Stamina - YouTube
Was wondering a more effective way of doing combos or potential resources.
The Long:
Hey everyone, I've been following the series previously stated on making a game in UE5. Right now the combo system is usable but seems inefficient. I was wondering how others might design a combo system similar to devil may cry or dragon's dogma.
The idea is to be able to input a series of attacks to make different combos.
Light - Light - Heavy
Light - Heavy - Heavy
so on....
My initial idea is to look into state machine to control it but I wasn't sure if there was a better alternative. I am not super familiar with state machines but I figured it would allow for easier transition between different combos.

Check out part 1 for context
The Tonpa Kingdoms Part 1 (Overview and The Gods) : worldbuilding (reddit.com)
There are 5 connected Kingdoms that have Tonpa as their main religion these are.
Jangshun
A Place of snow-capped Mountains and green Valleys, said to be built upon the ruins of the ancient Jungar people who controlled much of the area of Jangshun and the nearby kingdoms of Monyul and Taishigang.
Very little is known about the Jungar, their ruins are scattered throughout the landscape of Jangshun, and are often characterized by simple stone structures, pottery shards, and other artifacts. Based on these remains, it is believed that the Jungar were a relatively simple society, with a lifestyle that revolved around farming, herding, and other basic activities.
Despite their lack of sophistication, the Jugar are an important part of the history and culture of the region many myths and legends have grown up around them, the people of Jangshun often see the Jungar as a symbol of the enduring spirit of the region, and take pride in the fact that they were able to survive and thrive in a harsh and unforgiving environment. In addition to their physical remains, the Jungar have left a lasting impact on the people of Jangshun in other ways. Their language, customs, and traditions are thought to have influenced the culture of the later kingdom, and many people still feel a strong connection to the Jagun and their way of life.
The Capital of Jangshun is called Druktse, founded by Dragon Priests and the legendary Namgyal dynasty the city is known for its unique architecture, with buildings made of wood and stone, intricately carved and painted with colorful designs and motifs, the streets are narrow and winding, with prayer flags fluttering in the breeze and the sound of temple bells ringing in the air.
At the center of the city is the Royal Palace of Jigme Wangchuk, a majestic building that serves as the residence of the Royal Family, the palace consists of several wings and halls, each with its own specific function. The main hall is the center of political and ceremonial activities, where the king held court and received important guests. The royal family's private quarters were located in a separate wing, with opulent living spaces and lavish decorations.
One of the most impressive features of the palace is the Eagle Tower, a tall structure that houses the elite Eagle Guards, who were responsible for the king's security the tower is covered from top to bottom with intricate carvings of the bird of prey.
The palace is surrounded by lush gardens and fountains, and it is guarded by soldiers in traditional Eagle attire, the Eagle Guards of the palace of Jingme Wangchuk are an elite group of soldiers tasked with protecting the king and the royal family, known for their fearsome reputation and exceptional combat skills, the Eagle Guards are considered one of the most prestigious units in the Jangshun army.
The guards are named after the majestic eagles that inhabit the mountainous regions of Jangshun, and they were trained to emulate the hunting tactics of these birds of prey. They are adept at using the terrain to their advantage, and are particularly skilled at scaling steep cliffs and mountainous terrain to surprise and overwhelm their enemies. In addition to their exceptional combat skills, the Eagle Guards were also known for their loyalty and dedication to the royal family. They undergo rigorous training and were selected based on their physical prowess, intelligence, and character, to become an Eagle Guard, applicants must be graduates of both the School of the Father and School of the Dragon.
The Eagle Guards are outfitted in distinctive uniforms that featured a stylized eagle emblem, and they were armed with a variety of weapons, including bows, spears, and swords. They were also known to use eagle feathers and talons in their armor and equipment, as a nod to the unit's namesake.
Druktse is a hub of cultural and religious activities, with several monasteries and temples located throughout the city.
The most famous of these is the Tashicho Dzong, a stunning fortress monastery that serves as the seat of The Gyelpa (The Duke) the secondary ruler of Druktse and the center of Druk-Ta worship. The dzong is surrounded by high walls and towers, and is accessible through a grand gate that is guarded by soldiers. The interior of the dzong is a maze of courtyards, chapels, and offices, all connected by narrow passageways and staircases.
One of the most impressive features of Tashicho Dzong is its towering central fortress and monastery, which rises above the rest of the complex and can be seen from miles around. This fortress is home to the Dragon Priests and is one of the most important structures in Jangshun. The fortress monastery is also famous for its beautiful architecture and intricate artwork. The walls of the courtyards are adorned with colorful murals and paintings, while the chapels are filled with statues and other religious artifacts. Visitors to Tashicho Dzong can tour the complex and learn about Jangshun history and culture, as well as observe the daily routines of the monks who live and work there. The Monastery is open to the public during certain hours of the day, and visitors are advised to dress modestly and remove their shoes before entering the chapels. Even though the current royal family of Jangshun are connected to The Father, The Dragon holds a special place in Druktse.
The people of Druktse are known for their warm hospitality and their strong sense of community. They celebrate several festivals throughout the year, including the annual Tshechu festival, the 3 Gods Festival which features colorful dances and rituals performed by monks and laypeople.
To the north-east of the Kingdom lies the second biggest city in Jangshun, the city of Lhagyal, often called “The Fire-proof City”
Lhagyal is a mass of stone walls and buildings with precious little wood being used at all, the walls of the city are imposingly high and even the central palace is relatively flat and does not rise above the walls, there are 4 gates made of pure steel and those are the only entrances and exits.
Inside the city walls, the streets are narrow and winding, with tall, tightly packed buildings constructed from rough-hewn stone. The architecture is distinct, with flat roofs and ornate metal doors decorating the doorways and windows, many of the buildings are built into the city's walls, their backs resting against the ancient stones.
There is more to the city than what meets the eye. Beneath the streets lie a labyrinth of tunnels and catacombs, built for both practical and spiritual purposes. Some are used for storage or as escape routes, while others are filled with ancient artifacts and sacred relics. The catacombs are also home to a complex network of underground temples and shrines and busy streets that are home to underground residences and businesses.
Despite its rugged appearance, the city's architecture is a testament to its resilience. It has withstood numerous attempts at invasion over the centuries, including attacks by powerful enemies armed with the latest in siege weaponry. The city's fortifications are a marvel of engineering, designed to withstand even the most devastating attacks and yet, for all its defensive prowess, the city has never lost sight of its cultural heritage.
The most famous instance of this was when the neighbouring Confucian Kingdom of Jinyun attempted to invade Jangshun with its impressive military might, scores of loyal foot-soldiers hardened by decades of conflict and advanced siege technology that included weapons that used fireworks.
The city withstood months of warfare with Lhagyal earning its nickname of “The Fire-proof City” The stone structures withstood the fireworks and the hard rock of the walls withstood the Jinyun catapults, outside the city several guerilla efforts by the Eagle Guards, The Company of the Hand and The White Tigers from Monyul lending their support repelled attempted on-foot invasions by the hardened Jinyun soldiers.
In the south-west of Jangshun, near the borders of Monyul and Taishigang lies the town of Gyalpeling, a place revered by monks and pilgrims alike. Gyalpeling, meaning "Abode of the Victorious" is a small yet vibrant town located in a remote corner of the kingdom. Its strategic location, surrounded by imposing mountains and blessed with fertile lands, has made it a crucial hub for spiritual activities and monastic life. The town is centered around a grand monastery, which serves as the heart and soul of the community. The monastery, known as Samtenling Monastery, is a majestic complex of ornate buildings adorned with colorful murals, fluttering prayer flags, and the sound of chanting monks echoing through the air. It is a revered place of worship and learning, drawing scholars, practitioners, and seekers of wisdom from far and wide. The streets of Gyalpeling are lined with modest housing for monks, adorned with intricate woodcarvings and colorful paintings. The locals, known for their warm hospitality and deep reverence for Tonpa, every activity the townspeople engage in helps the monastery in some way, whether trading, farming or craftsmanship, every resident of Gyalpeling helps out the monastery in some way. The town also boasts natural hot springs, believed to have healing properties, which attract pilgrims and visitors seeking solace and rejuvenation. The pristine rivers and lakes surrounding Gyalpeling add to its enchanting beauty, serving as places for meditation, ritual ablutions, and scenic walks. Gyalpeling is not only a place of spiritual significance, but it also serves as a center of learning, with numerous scriptoria, libraries, and meditation caves where monks engage in intensive study, contemplation, and meditation, prospective monks come from all over the 5 Kingdoms to study in Gyalpeling, as monks educated within its walls are valued in any court of the Tonpa Kingdoms.
One of the most valuable cities in Jangshun isn't far from the capital, a short 1 hour horse ride east of Druktse stands the city of Jangtse, a jewel in the crown of the kingdom. Jangtse, meaning "Silver Peak" in the local tongue, owes its fame and prosperity to the rich veins of silver that run through the nearby mountains, making it a thriving center for mining and trade. At the heart of Jangtse rises a magnificent conical palace, known as Jang Potrang, or the "Silver Palace." The palace, glistening like a beacon atop the tallest hill in the city, is adorned with silver-plated roofs, walls, and pillars, reflecting the sunlight and casting a mesmerizing glow over the surrounding landscape. It serves as the royal residence, where the Count holds court and conducts affairs pertaining to the area between Jangtse and Druktse. The streets of Jangtse are lined with buildings that boast silver-plated facades, creating a surreal and shimmering sight as one walks through the city, often shining gold from reflecting the sunlight, the wealth of the city is evident in the intricate silver filigree work that adorns windows, doors, and rooftops of temples, mansions, and markets alike. The silversmiths of Jangtse are renowned for their craftsmanship, producing exquisite silverware and jewelry that are sought after by collectors and traders from distant lands. The city is a bustling center of commerce, with a vibrant market square where merchants from across the region gather to trade in silver, gemstones, textiles, and other precious goods. The sounds of bartering, laughter, and the clinking of silver coins fill the air.
The Armies of Jangshun are known for their ferocious foot-soldiers, the every-day rank and file soldiers of the Jangshun armies are regarded as the best in the region and are a feared prospect to face on any battlefield.
The soldiers of the army of Jangshun are highly disciplined and skilled in the art of warfare, and are renowned throughout the region for their courage and loyalty. They are trained in a variety of weapons and fighting styles, including archery, swordsmanship, and hand-to-hand combat.
It is said that the success of the army comes from the fact that many men and women who fight in it are from mountainous regions and are conditioned from a young age to move over mountainous land with ease, their armies can easily traverse land that would be impossible for normal armies to travel over, due to the fact that the soldiers know the land.
The army of Jangshun is led by a commander-in-chief, who is appointed by the common foot-soldiers and is responsible for the overall strategy and tactics of the army. Under the commander-in-chief, there are several generals and officers who oversee different units of the army, each with their own specific roles and responsibilities. The soldiers of the army of Jangshun are equipped with a variety of weapons and armor, including shields, helmets, and chainmail. They are also skilled in the use of traditional weapons, such as the da and the gochu, which are types of swords. In addition to their skills in battle, the soldiers of the army of Jangshun are also highly respected for their loyalty and devotion to their ruler and country. They are known for their strong sense of duty and honor, and are willing to lay down their lives in defense of their homeland. The army of Jangshun is often called upon to defend the kingdom against invading forces, and has a long history of successful battles and campaigns. Their reputation for courage and skill has earned them the respect of their neighbors and allies, and they are a source of pride and inspiration for the people of Jangshun.
One of the most famous regiments from Jangshun is the “Wheel of Steel” A heavily armored longsword unit founded by Princess Jamyang Daughter of King Kunga and Sister of King Yangchen of the Yeshe Dynasty after she travelled to Europe and witnessed people fighting in full suits of armor, this was a foreign concept in the areas around her and she implemented the idea with her Father's (And later Brother's) full support they were first deployed in aid of Taishigang who were experiencing an invasion from a nearby Dharmist Kingdom. The longswords cleaved through the invading forces lack of armor and their steel plates deflected blows.
Monyul
Monyul is a land of vast open spaces and stunning natural beauty. The kingdom is home to a proud and fiercely independent people, who have built a rich culture and a strong military tradition, its plains are green and warm during the summer but snow is not uncommon in winter. Dharmaling is the capital city of Monyul and is nestled in the hills, surrounded by winding rivers and vast grasslands. It is a city steeped in tradition and culture, with a rich history that stretches back centuries.
Dharmaling was built as the northern most outpost of the Dharmist Indraprastha Empire but was conquered by Tonpa forces from a tribe that would eventually become known as the Monyul. The city is built around a central marketplace, where merchants from all over the known world come to trade their wares. The marketplace is a bustling hub of activity, filled with the sounds of bargaining and haggling, and the aromas of exotic spices and perfumes.
The Company of the Wind have their main offices in Dharmaling and use the bustling 10 storey wooden building to plan its operations throughout the known world. The streets of Dharmaling are relatively wide due to the constant horse carts that pass through them. The buildings are made of stone and wood, with intricately carved facades and ornate balconies. Many of the houses have flat roofs, which are used as outdoor living spaces during the warmer months. At the heart of the city lies the great monastery of The 3 Gods, unlike in other cities which have separate monasteries for the three Gods, this temple combines them as a display of unity between the three sects. The massive structure dominates the skyline, with its towering walls and intricate carvings. The monastery is home to a community of monks, who dedicate their lives to the study and practice of Tonpa. Surrounding the monastery are the homes of the nobility, who are known for their wealth and power. These grand estates are filled with beautiful gardens and courtyards, and are often adorned with intricate carvings and colorful murals. Outside the city walls, the landscape is dotted with small villages and nomadic encampments. These communities are home to herders and farmers, who make their living tending to the region's yaks and sheep. Despite its remote location, Dharmaling is a city of great importance, both culturally and politically. It is a place of pilgrimage for Monks, Merchants and laypeople from all over the world, and is also a hub of trade and commerce. The people of Dharmaling are proud of their heritage and their way of life, and are fiercely protective of their city and its traditions.
A 30 minute walk to the west of Dharmaling lies the Temple of Tong Thang, the Beehive Temple, as visitors approach the temple, they are greeted by the gentle humming of bees that buzz around the entrance, seemingly inviting them inside, the entrance is adorned with ornate wooden doors intricately carved with depictions of bees in flight, the temple is home to hundreds of bee colonies. The interior of the temple is a marvel of craftsmanship.The walls are adorned with honeycomb patterns carved into the stone, creating a mesmerizing visual display. Soft light filters through small openings in the dome-shaped ceiling, the centerpiece of the temple is a large altar made of honey-colored stone, adorned with intricate carvings of bees and honeycombs, where devotees offer their prayers and offerings. The Temple of Thong Tang is a place of worship dedicated to the reverence of bees and their significance in nature and the cycle of life, every day priests and priestesses of The Mother make their way to the temple to tend to the bees, bringing them water and sliced fruits, every year there is a festival outside the temple where priests and priestesses of Caihong distribute honey gathered from the bees.
Monyul is home to a large lake called Jangchub Tso, the lake is bordered by lush green forests and snow-capped mountains to the south-east, a product of Monyul's border with Taishigang.
On the edge of the lake there is a large city called "Gangri Thang", which is known for its fish markets and skilled boatwrights, nobles from the surrounding Kingdoms often commission boatwrights from Gangri Thang to build grand freshwater barges for them.
Several villages surround the lake, mostly fishing and farming communities, every spring fishermen from these villages make their way to Gangri Thang with hundreds of fish, hoping to hock their catch to fishmongers, tourists and Company of the Wind officers.
The fish they carry is mainly the several species of trout that live in the lake but a few of the lucky ones carry the Golden Mahseer, a gleaming fish variety that is said to be very difficult to catch, although the taste of the fish pales in comparison to the trout, the Golden Mahseer is revered for its scales that give off a vibrant golden glow, these scales are often used in ceremonial dress of the region adoring clothing and jewellery.
The people of Monyul are also skilled artisans, known for their intricate weavings and pottery. The kingdom is home to many workshops and marketplaces, where merchants sell their wares to buyers from all over the region. The people of Monyul are known for their skill at horsemanship, and the kingdom is home to some of the finest cavalry units in the region. The army of Monyul is also composed of archers and spearmen, who are trained in the art of mounted combat and guerrilla warfare.
The most prestigious regiment of Monyul is a cavalry unit called the White Tigers, the horsemasters of the White Tigers are known as the strictest in the Tonpa Kingdoms, if a horse fails a single training drill both the horse and rider are deemed unworthy. The White Tigers main weapon is a thick spear, painted red with a bronze spearhead, it has a heavy counterweight at the back that also doubles as a blunt weapon. Their secondary weapons are a heavy sword and a short bow.

Of the 4 games we have released, 3 have been created using Unity. The engine is incredibly robust, and we know it very well. Because our games are mostly 2D games, using something like Unreal is overkill for us. We also like the fact that our games look good but run on low-end spec’d machines.
That said, I am an artist, and while I’m comfortable enough with the art flow in Unity to get assets into the game engine and light them - I couldn't help but look at the art tools in Unreal with envious eyes!
My main focus has always been on creating high poly art and assets, which is why our games have used predominantly 2D prerendered graphics. But Unreal promised to break that limitation with Nanite and Lumen.
After watching the short film Irradiation by Sava Zivkovic last year, specifically his ‘Process video ( https://vimeo.com/585806244 )’, I decided to bite the bullet and learn Unreal.
Our games have always had prerendered cinematic sequences, but we have always had to be sparing. They take an enormous amount of time to do, and we have often had to design around those limitations. The hope was that, in switching to Unreal, we could eliminate much of the time sink in rendering these sequences and let loose!
I contacted Sava Zivkovic to get the PC specs he used to create Irradiation and bought a PC that mimicked what he had used. His main recommendation was a graphics card - a 3090 RTX (Not easy to acquire at the height of crypto and in far off South Africa, I might add).
While I knew that the game itself would still be created in Unity and the environments would still be rendered with VRay from 3DSMAX, I wanted to ensure parity between the different software. It should all feel cohesive.
While learning to use Unreal for our cinematics, I created a short 60-second film. I set myself a limited time to do this - one day. It was a gamble to buy such expensive hardware without knowing if it would even speed up our workflow, especially considering I had never used Unreal before.
The short film - https://www.youtube.com/watch?v=Klop2l41Wts - was the proof of concept I needed to be certain we had made the correct choice. I kept my workflow for past cinematics unchanged. I animated the characters in 3DSMAX and exported the animations directly into Unreal. I think I would look at using Unreal’s control rig for future games - but I wanted to use the tools that I’m most comfortable with.
In our previous cinematics, a single 30 second sequence could take a week or more to create. The rendering alone - if done locally - would take the majority of that time. The downside as well was that if something went wrong, it would require a rerender to fix, or do a lot of alterations in the compositing stage.
This time could be saved by purchasing time on a render farm - but we are a small studio on a tight budget, so that wasn't feasible for us.
Using Unreal meant that the feedback was real-time. Alterations could be made and output at the same time. Having this level of feedback was incredibly freeing from an artistic and a production point of view.
For the environments, because the game uses high poly models, I could take what I had already created and bring them right into Unreal. They did require retexturing to use Unreals materials, but once I was used to the workflow, it went remarkably quickly.
We invested in a Rokoko Smartsuit 2, which helped in shaving days off of the time it took to create a sequence. The suit is incredibly easy to use with just one person, which was important as Stasis Bone Totem was built entirely remotely.
My small office served as a motion capture stage, along with polystyrene cubes as props, and masking tape on the tiled floors to outline the ‘stage’.
For LipSync I used a mixture of LiveLink and NVidias Audio to Face software - with a lot of hand tweaking. Going forward I will more likely take advantage of the many AI tools that are being created for facial animation.
At the end of production, I created 44 minutes of high quality, 4k cinematic sequences. To create the link between the Unreal renders and the VRay/Unity in-game renders, I matched the lighting of the scenes as well as possible. I also mixed in some elements rendered from Unreal (namely the character portraits) to ensure it all worked cohesively. Unreal is an incredible tool for an artist. While our games core engines will likely continue to be built around Unity, we will most certainly keep on using Unreal as a rendering and art tool in our future games.
- Chris

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(Part 30 of a series) The Retail Punishment in Clovis
Part 29 covered a lot of ground. This installment picks up with a few new points.
Also, I will try and outline the trouble that Clovis officers could find themselves in; ‘Nightmare on Flatiron Parkway’ coming to theaters near you!
(A) Equity Committee in place, any objections?!
It is now well established that the Equity Committee is an essential party to these proceedings. Only the OEC is capable of representing equity interests which are demonstrably being opposed by both the debtors and creditors.
Since the OEC opposition, Clovis has made numerous concessions and modifications. This clearly shows the need for adversarial proceedings against the debtor which have yielded results.
(B) Negative Ruca sale price
The debtors have made a crippling mistake by allowing Rubraca to be sold for negative dollars! This is something they cannot recover from, and puts the specter of fraud over the entire BK filing. Since they claim to have closed the sale they no longer have an avenue of somehow ‘adjusting’ the sale to take it into a Positive Ruca sale price.
There is an interesting angle here that ESTABLISHES fraud. Let me explain how.
The key question is about the timing of the decision to include Ruca inventory as part of the sale.

1. After the auction: In this case, the bidder had put in a bid with no intent of getting inventory for free. So the company should charge for inventory considering that creditors are waiting for recovery. The company did not do so. It, of its own accord, chose to GIVE AWAY inventory for free. No, you cannot do so, when there are classes awaiting recovery. CLEAR FRAUD.
2. Before the auction: If the company was planning to include inventory of $100 mn in the sale, then there should have been a corresponding bid minimum. Since that was not done, we are in a laughable scenario that the company is holding out a hundred dollar bill and singing like a carnival barker ‘Sixty, sixty, do I hear a sixty five, seventy, sold for seventy’. Really?? CLEAR FRAUD.

Sorry Clovis, your fraud has unraveled, and company officers will be paying a penalty and some going to jail.
(C) ODAC debacle
FDA had clearly given Clovis two options, EITHER wait for OS data OR go in front of the ODAC. The OS data option was completely infeasible since data would take two years to mature and Clovis did not have that kind of financial runway. So really, ODAC was the ONLY option.
An ODAC presentation would have been something to look forward to considering the stellar PFS data. The whole reason that Athena results were delayed two times was because PFS was so strong it was preventing the requisite event related data. Considering that other front-line drugs were approved on the basis of PFS, it is a given that there would have been strong physician enthusiasm for Ruca.
In the above context, not going for ODAC is completely indefensible, and Pat and other officers can be NAILED on this point alone. Note that Gillian was one of the founders and she appears to have had a difference leading her to exit prior to BK. She needs to be deposed and held squarely responsible for this, unless she turns approver and throws Pat under the bus.
(D) Forensic analysis of expenses since Apr 2022
In my opinion the BK plan started getting crystalized after the fourth and final rejection of the share count increase proposal. Pat then had two goals: run down cash as much as feasible, and prevent regulatory successes that would value the assets higher.
First, we now know that Alix partners was engaged in the July timeframe to explore multiple options. How is it then that in September they entered a sourcing agreement with Isotopia? If cash conservation was the goal, how can one explain the money, time and effort spent on agreements like Isotopia? Was it that Novartis talks were in progress and Clovis was trying to preferentially spend money on FAP?
Second, why were strong headcount reductions not put in effect? This is such a simple and obvious measure to reduce the cash burn and I want to see the written documents where the cost benefit of this was explored and this option discarded. Instead, we had new requisitions being posted!
The interesting point is that Clovis is now publishing monthly results. We see that despite a headcount reduction of a fifth, revenue has not had a corresponding fall! This is the inelastic demand that I have previously written about. We now have DOCUMENTED PROOF that early headcount reductions would have prevented a spiral towards insolvency.
I believe that a forensic analysis of the accelerated spend since July, and comparing it to the prior quarter spending will yield interesting results!
(E) Excuse me, but your goose is cooked
The company officers need to realize that the game is up. They can flutter and flap all they want but their goose is cooked. The biggest mistake they made was to underestimate the equity opposition, and now they are in a predicament that they cannot extricate themselves from. I have a poor opinion of the lack of strategic vision of the debtors counsel, what was that name again, Twinkly, Far, and Galloping?!
Pat thought of us as sheep, that he would come to us saying ‘Your money is all mine’! Well, that’s when we sheep turn feral, grow fangs, and get in the mood to leave bite marks that are life altering!
I had previously written that four company officers deserve punishment, but now have changed my view to ALL officers. Why should board members get a pass, being responsible for oversight? We need to go after the whole bunch, with the possible exception of one or two approvers who are willing to sing like a canary.
(F) Equity is in a position of strength
We shareholders need to understand that our motivations are above board and can be presented in court. The entities opposing us are stronger than us but they have a corrupt agenda that they cannot state publicly on the record.
Can company officers admit in court that their hatred for retail investors made them act opposite to their fiduciary duties? No they cannot.
Can BP like AstraZeneca or Pfizer dare to stand up in court and state they wanted to neuter the competition in the PARP space? No they cannot, because the DOJ antitrust division is listening and they will be dragged over the coals.
Can the creditors open up that they actually have large short positions so their actual interest is share cancellation more than the full recovery that they claim to want? No they cannot.
These parties entered into this corrupt undertaking thinking that will pull levers behind the scenes and get away with the heist of the century. Well, sunlight is the best disinfectant. Now that the SEC and DOJ are fully involved, these behind the scene players will see the writing on the wall and gently melt into the hedges. The only party that will be left to take the full heat of our rage are the Clovis officers.
Considering the widespread fraud by Clovis officers, it is the Official Equity Committee that will be in the driver's seat going forward with the parallel and supporting effort from the DOJ and SEC. The OEC needs to closely guard the whistleblowers until the right opportunity. I’m looking forward to the DOJ Antitrust division becoming a party to the proceedings. We cannot have Biden’s moonshot cancer initiative on one hand, and on the other, a key oncology asset that promises to displace the SOC for Prostate (a cancer known for poor prognosis) to be rendered impotent (pun intended) in the hands of an insignificant overseas company.
(G) Two options for Clovis officers
Clovis officers need to realize that they cannot avoid the consequences of entering into bankruptcy fraud and the intent to eliminate equity. There is no getting around it. They need to figure out a way to minimize the punishment that is coming their way.

1. Agree to a liquidation in Ch. 7

If Clovis requests the judge to turn it into a Ch. 7, and let the full company be put up for sale under court supervision, they may still be avoid the worst. There is a pent up investor anger that needs to be satisfied. If investors get a healthy share price, say $12, it would immediately reduce the severity of the remaining punishment. Heck, if the share price is good enough, they may even get the third party release that they so desperately want.
In this case, there is no financial impact to the officers. All that they are doing is allowing some BP to come in and give the proper valuation for the company assets.

1. Dig in for a cage fight

If better sense does not prevail, the full investor anger will work its course out.
The first course of EC should be to prove BK fraud in front of Hon. Judge Stickles. Some people here automatically think the judge is on Clovis’ side. That may be incorrect. It is not lost on the judge that Equity Committee approvals are exceedingly rare. On top of that, the DOJ and SEC are fully engaged. Makes her wonder about the fire when there is so much smoke.
In the unlikely scenario that we do not prevail with fraud charges at this first level, there is the three member BAP bench to appeal to. The benefit of those proceedings will be that OEC will be represented from the get-go, and will be able to inform the bench about the seriousness of this case containing antitrust issues.
In parallel, a class-action can be started. There is a rich $50 mn. corpus that is available. I can imagine law firms falling over each other to get to a $20 mn payout to fully prosecute these crooks, including criminal charges. When there is a jury trial with everyday people like us who have lost our investments, that is when the full punishment will be given out.
If the fraud is proven within two years of the BK (more than enough time), the Ruca assets can also be clawed back and correctly sold in the market, making for even more recovery.
Make no mistake, if the company officers make it harder for us to corner them, our punishment will also be that much harder when we do corner them. By the time we are done with them, they will feel like a chew-toy in a cage of Rottweilers.
I’m hoping that better sense will prevail, and the company officers will ‘choose wisely’. But I have a feeling they won’t. Bring it!!
SPPAAAAAARTTAAAAAAAAAAAA!!!
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Poster: Jacaranda Bloom
Reddit user ID (bookmark or follow): Timely_Huckleberry97

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I've had this story in my head for a while and I have a vivid image of my main character but I'm just awful at drawing characters
Female, Light skinned, her hair is short, similar to Attack on Titan Mikasa in Season 4 but it's very dark blackish brown, she has dark brown eyes, she has a very dead and cold expression ("Kuudere" meaning a character who is calm and collected on the outside and never panics. They show little emotion, and in extreme cases, are completely emotionless, but they may be hiding their true feelings deep down.) kinda like Levi Ackerman or Aki Hayakawa. She has gone through massive trauma in her life. She wears black semi-tight jeans, and a thin black turtle neck shirt tucked into her jeans with a dark gray Eren Yeager-Style jacket over it. Her breasts are quite small (Just a small curve on her chest) she has a scar on her left hand ring finger, Starting at the top of the palm going up to the ring finger ending about half an inch away from the tip. And has black nail polish.
Sorry if I broke the rules of the sub, I've been trying to create this character for a while and I've been struggling :(

I saw the news that the game is coming out on Steam soon, so I thought to share my experience with it. I know it's not the oldest game out there, but it's been out for two years now, and you can get it as part of PS+ on Playstation.
I actually got the game on a disc together with the console, but I initially tried it for 10 minutes, thought it was too childish, and dropped it. I went back to it few weeks ago and I'm really glad I did, it's one of the most fun experiences I've had in recent memory.
If you're like me, then this is your first contact with this franchise - I've never played a Ratchet and Clank game until now - so here is a brief story summary: Clank makes a device called the Dimensionator that would allow the two of them to jump between parallel dimensions in order to find other members of Ratchett's species. The main antagonist, Dr Nefarious, steals the device and uses it to move to a dimension where he is the ruler of the galaxy/universe, but in the process causes all parallel universes to collide with each other and threaten the stability of the multiverse. Ratchet and Clank follow him and there they meet their parallel universe counterparts, Rivet and Kit. The four of them combine forces to stop Dr Nefarious and his parallel-universe counterpart, Emperor Nefarious, by building another Dimensionator to stop the Nefariouses once and for all (?).
This game really has a lot going for it:
First thing you'll notice is the looks. It looks amazing, and runs smoothly (on a PS5). Most of the time, you will feel like you are playing a pre-rendered cartoon, not a game. The sound design is also incredible, and the game makes exemplary use of the PS5 controller, both with the adaptable switches, but also with the controller's speaker. It's a technical marvel, and I experienced zero glitches or issues while playing it. The character models are also very detailed and beautifully animated.
The world and level design is also excellent. Levels vary from open spaces to narrow corridors, sprinkled with "pocket dimensions", tiny levels that you can find in hidden places that are very different from "normal" levels, and usually give you a reward for finishing them. You will visit vast cities, deserts, underwater facilities, the mentioned pocket dimensions that float in open space, as well as specialized levels for Clank (he solves logical puzzles that are just right to give you a short break from the action) and a fifth character, Glitch, who is an anti-virus program that you will control to access infected computer terminals and clear them from viruses.
Gameplay mechanics is where the game shines best, though. The weapon design is phenomenal, they come in all sorts (melee, close range, long range, indirect weapons) and you can really find a playstyle you enjoy. How you get experience is also very well done - the more you use a weapon, the better you are with it, which is reflected in the weapon getting better stats and perks for upgrades. So basically, the more you use the weapon the better it gets, there is no "general" levelling of characters. But this works really good, and the game will force you to use a variety of weapons by lack of ammo, or by battle challenges in an arena you can visit in game. But the creativity is amazing - you can headshot enemies with a sniper from a far, or melee them, or hit them with classical minigun, shotgun, rocket launcher weapons. Some enemies are armoured, for instance, so the solution for them could be to upgrade the shotgun to armour-piercing rounds, or use a weapon that throws grenades from above, or maybe use the one that sends bots at enemies to distract them, so you can hit them from behind, where the armour is weaker. The gunplay here is one of the best I've ever had, and coupled with adaptive triggers and excellent and responsive controls, it's just pure fun to play.
You can also find bits of armour and special abilities if you explore the maps and the levels. You don't need them to finish the game, but they do affect it (sometimes to an extreme - you can even get infinite health or ammo by exploring the game). There are also two different types of mounts that you can ride in certain levels, one flying, and one that acts like a speedboat, though you do that only in specific missions.
When it comes to missions, there are a few side quests, all done really well and different, not the usual fetch-quests we see most of the time. If it is a fetch quest, then it's to learn about the lore (which was surprisingly good to me).
Enemy design is also good. They are varied with very different behaviours and abilities, and you will not get bored at all. I counted five total groups of enemies, each with varied members. Then there are the bossfights - some of the most epic, fun I've ever had, with the final bossfight being especially entertaining. By then, you should have almost all weapons in the arsenal, which makes the battle incredibly entertaining.
Finally, there is the characters and the story, and that was the biggest surprise to me. The game is on the childish side (I think), but the characters are well written with actual arches, and the story is well done, coupled with seemingly interesting lore. Don't expect levels of top-tier story games, but it will surprise you how good it is, and on top of that, the voice acting is amazing.
All in all, this is a lot of fun, and I highly recommend it as a fun and relaxing experience that really values your time.

1839: The Piaget brothers set up a watch factory in Paris and began producing Patek Philippe watches.
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1911: Patek Philippe Watches launched its first chronograph, a watch with a chronograph function and an accurate chronograph function.
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1931: Patek Philippe Watches launched the first Day Date watch, which featured a day date, leap year calculation and a timer.
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1987: Patek Philippe Watches launched its first smartphone, a watch with communication capabilities and advanced chronograph functions.
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2008: Patek Philippe Watches launched the first solar-powered watch, which is capable of being powered entirely by solar energy.
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2017: Patek Philippe Watches launched its first smartphone accessory, an accessory that allows Patek Philippe Watches to connect to smartphones and provide additional services and support.
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In short, the evolution of Patek Philippe watches has been full of innovations and breakthroughs. From the first in-house designed movement to the first perpetual calendar watch, from the first chronograph to the first smartphone accessory, Patek Philippe watches have continued to drive the development of premium watch manufacturing. As a watch brand with a deep history, Patek Philippe watches represent not only exquisite manufacturing techniques, but also a symbol of high-end taste and excellence of spirit.

hey reddit !
to be short, my best friend is currently working with Drop Dead, and recently, he's been working with BMTH for their actual tour. He's the one designing the stage scenography during some songs
Yesterday, for the show in Paris, Oli gave him a shout out, was really strange to hear my friend's name in front of 15/20k people to be honest ahah
But because we didn't expect it, we cannot get to record it and obviously, we're going to remember this moment, but it will be so great to have this in camera
so if anyone got this video, I'll be grateful
<3

Heyyy, thanks for taking the time to check out my post & I hope you find at least part of it interesting enough to send me a message. Anyway, without further ado...
I'm coming at you live from the sunny UK (no joke, it's literally blistering this week for some reason and I AM SUFFERING). As much as we can all appreciate a good bit of sunshine, it's nice in moderation but our houses are designed like little hotboxes, the heat stays in so i'm currently typing in shorts and a wife-beater whilst an industrial fan that I got cools me down - hot, right?
My sleeping pattern is just as inconsistent as Marvel Studios is with their quality. I'm usually up at all hours (I do work but it's flexible to a degree) so am happy to speak with anyone from anywhere. All I ask is that you're patient and understanding of timezones and...life in general. I've spoken with individuals in the past who have flew off the handle if you don't reply on their clock, so I appreciate someone who's horizontal levels of laid back please.
I like to travel and enjoy snowsports, both of which go hand in hand. As a result, I've been fortunate enough to travel all over Europe many times. Aside from travelling for that, I like to visit new places from Greece to the Czech Republic to Spain and so on. Also been to the US a few times but would really like to visit Japan or Norway one day, maybe Brazil but my pale self would probably incinerate over there. What's your dream destination?
Gaming is a big hobby of mine and I currently play on PS2/3/4/5, Switch & PC. I'd say what games I play but I hop between far too many at once, though I've been blasting Diablo IV and Street Fighter 6 recently. Phasmaphobia is always a good laugh and if you know of Hunt, you're an absolute champ. If you play, what are some of your favourite games?
When it comes to music, i'll listen to anything and everything, really, so feel free to be the DJ on any and all future road trips whilst I drive. Which brings me on to the next one - I love driving and going on the occasional road trip or spontaneous day/weekend out. Any song recommendations?
Movies too, anything and everything, though I do have a bit of a soft spot for horror despite the genre being completely dragged through the mud time and again. Fallen off of Marvel movies recently since they seem to have ZERO SENSE OF DIRECTION following Endgame, but I'll gladly re-watch SOME of them. The BIG BALLER Franchise is, and always will be...Star Wars (despite what Papa Disney did to the movies with VII-IX). Tell me your favourite movies!
I have a keen interest in the paranormal despite being mostly skeptic, I'd say more of an optimistic skeptic would best describe my outlook. Got any scary stories to share? Also enjoy learning about animals and different periods in history. Conspiracy theories are always a good laugh too. What's the wildest one you've heard of?I like to practice martial arts and watch the UFC and Boxing on occasion & as always, good olde WWE is never a dull time, can always stick it on for a little and have some degree of entertainment. Do you watch or play any sports?
Cats, dogs and nope ropes, I have all the pet pics for you. If you have any pets/fur companions, I would LOVE to see them.
I also like to cook and experiment with food. I'll try anything twice and am an average food challenge enjoyer, though I'm not quite Man V Food levels of food challenge.

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These programs are often provided by educational establishments, training facilities, internet platforms, and professional associations. To promote thorough learning and skill development, they may combine lectures with practical exercises, case studies, projects, and exams.

I’m fed up with constantly attracting men straight out of a relationship. Every time I try getting into the dating scene I always end up with a man who just recently got out of a relationship. All of them have been in a year long relationship that ended 3 months prior to meeting me. Then I find out through social media that they miss their ex. Seriously, I don’t know why I attract these men and why I’m repeating the cycle. I’m tired of being a designated rebound. I keep trying to break the cycle but the story just replays. Each time I find out I cut things shortly after but all i’m approached by is these damaged men who still cry over their ex. At this point I should’ve majored in psychology. I’m not a therapist and i’m most definitely not a rebound. I’m so frustrated with myself that i’m never enough for someone and I always fall short to their ex.